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Internet is tricky in Cuba. This is pretty much an understatement, but the “why’s” require a much more expansive conversation to wrap our heads around the stakes.

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(Photo credit: Juan Cruz Rodriguez for Resolviendo Exhibit, Annenberg)

I will be visiting LA & San Francisco this month to discuss one of the most fascinating subcultures on the island today – the Tech sector. It’s been a long road for all things New Cuba regarding our gatherings to contemplate contemporary Cuban culture. Three years back, we gathered in the ballroom of The Standard Hotel in 2015 to talk about various creative industries — including music, art, and architecture. This year, it’s all about the Web, which of course affects the fate of all these creative and business endeavors.

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(Photo credit: Juan Cruz Rodriguez for Resolviendo Exhibit, Annenberg)

What appears as a fully disconnected country is truly the opposite. Like most things in Cuba, the people have found a way to “inventar”, creating digital solutions, thus turning your average grandma into a hacker, learning to circumnavigate Wifi hotspots in the most unusual ways.

This Feb, two conversations will take place on the US West Coast, focusing on Cuba’s internet and its state of connectivity. RSVP confirmations are required for both.

(1) Annenberg, Feb 10th, Los Angeles

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(Jauretsi, Curator/ Digital Strategist. Photo credit: Michael Kovac/Getty Images N. America)

An extension of the Resolviendo Exhibit (which launched in Sept 2017), the Annenberg invited The New Cuba to co-host a special panel in Los Angeles on February 10, 2018 entitled Cuba: Sin Limites that gathers experts on the state of Internet in Cuba.

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(Photo credit: Juan Cruz Rodriguez for Resolviendo Exhibit, Annenberg)

The listing reads:

Moderated by Cuban-American curator and digital strategist Jauretsi, speakers will include Dadne Carbonell (Cuban computer systems analyst), “Dany Paquete” (a kingpin of El Paquete Semenal, an underground weekly distribution of pirated international content via hard drives), and Susanna Kohly (Marketing Lead, Google Cuba).

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(Dany of El Paqeute in his home in Havana. Photo credit: Jauretsi)

Please visit the Annenberg Wifi Cuba Panel page to confirm your attendance or read more on the event. You can learn more about Dany by viewing the documentary Give Me Future, currently downloadable on iTunes (trailer here).

For a proper headstart, you can also now visit the art exhibit at the Annenberg gallery entitled Cuba Is, which contains a section called Resolviendo, an exhibit that The New Cuba helped curate with Commonwealth Projects. You’ll see photographs of Wifi Parks, a spectrum of videos from Cuba’s famous El Paqeute, and some DIY magazine culture Imagine the streets of Cuba’s content networks transported into an exhibit hall in Los Angeles.

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(Jauretsi at “Cuba Is” Launch. Photo Credit: Michael Kovac/Getty Images N.America)

The original launch event took place early September 2017, with a big bash where I was lucky enough to helm the DJ booth with Matthieu Schreyer, host of the excellent KCRW show on Global beats. It was a bonafide Cuba love-fest in the heart of Los Angeles, complete with a “who’s who” of Cuban arts, film, photographers, curators, gallerists, and fans alike. The full exhibit will be up til March 4, 2018, so don’t forget to book out an afternoon to soak in all the beautiful photography before the panel.

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(“Cuba Is” Exhibit. Photo Credit: Leysis Quesada Vera)

THE PHOTO EXHIBIT:
“Cuba Is” Exhibit
Currently on Display through March 4, 2018
The Annenberg, 2000 Avenue of the Stars, Los Angeles CA 90067
General Gallery Hours: Wed-Sun 11am to 6pm. Mon-Tues is closed

THE INTERNET PANEL:
“Cuba Sin Limites” Panel
Annenberg Space for Photography’s Skylight Studios
Feb 10, 2018
7:00-9:00pm
10050 Constellation Boulevard
Los Angeles, CA 90067

(2) Media Noche, Feb 11th, San Francisco

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(Media Noche Cafe, San Francisco)

The next evening, Feb 11th, the topic continues nearby in San Francisco at the charming restaurant named Media Noche. This is a more casual gathering in a cafe setting hosted by a a group called Bay Area Cubans, lead by Project Binario’s Eddy Perez who we recently covered in our visit to Techcrunch.

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(Photo credit: Juan Cruz Rodriguez for Resolviendo Exhibit, Annenberg)

We expect our Cuban-American community to come out and celebrate our culture, gather for constructive conversation, and build awareness of future generations. Hermanos unidos. Like most Cuban-Americans, the topic of Cuba is passionate and immersive. Our belief is that it’s imperative for both our cultures, on and off the island, to grow a better understanding of each other for a brighter future. Building bridges, not walls. We invite any curious non-Cubans who would love to be part of the conversation.

Feb 11, 2018
7:30pm
Media Noche
3465 19th St, San Francisco, CA 94110
To confirm your attendance, please click on the EventBrite page listing. Enter code “givemefuture” for 30% discount

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I’m thrilled to announce a cool music festival happening in Cuba this March called Havana World Music. What’s more exciting is that The New Cuba will be hosting guests from abroad to come attend the festival with VIP access. There will also be a few days of fun to explore Havana’s best and brightest spots.

But first… what is Havana World Music?

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(Eme Alfonso. Photo: May Reguera for Garbos Magazine)

“We were a group of friends, talking one day” said HWM Founder, Eme Alfonso (pictured above). “We thought, in Havana, there is nothing like an event for young people where we can enjoy ourselves and say this is the music that I listen to, this is the music that I want my friends to listen to. Then we said to ourselves, we have to do something. Let’s do something.”

Enter Havana World Music. Three days of unfettered music, art, culture, diversity, people, emotions, and energy. It’s a mix of artists both inside and outside the island, bringing fresh sounds to the forefront while honoring ancestral roots. This March 22,23,24 marks the 5th year of this gathering of international music buddies throwing it all down hard in Havana.

This years lineup includes:

The Orishas
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The Orishas are Cuba’s most globally known Cuban Hip Hop band, having exploded onto the scene in 2000 with their premiere album, A Lo Cubano. The record defined the sound of what Cuban rap would be — a mix of local flavor, traditional Afro-Cuban nodding & rhymes on the motherland. For those that haven’t heard the album yet, give it a listen here.

Gato Preto
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Gato Preto is a tropical bass thunderstorm. The booty shakin’ beats are produced by Lee Bass, who rolled out the perfect sound carpet for the Emcee Gata Misteriosa and her Portuguese power punchlines. The collective members members unveil African sounds reflecting their roots in the polyrhythm of Bass from Ghana, the Portuguese slang of Gata’s Mozambique and the incredible Djembe Power of Moussa Diallo from Senegal. Dive into their sound here.

Interactivo
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If you’ve been hanging out in the Havana music scene the last few years, it’s impossible to have missed Interactivo, who hosts one of the most well attended weekly parties, a live jam featuring a rotation of band members.

Interactivo is a music collective begun by Roberto Carcasses, Yusa, Francis de Rio, William Vicanco and Telmary Diaz. The bands Director, Roberto, prides himself on Interactivo’s free-form, experimental, and collaborative nature. The mix of Jazz, Funk, Salsa, Hip-Hop and general Cubaneo is swirled up into an audio feast.

Marinah
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Hailing from Spain, Marinah dons a flamenco skirt and head wrap representing Afro-Cuban spirit — think Flamenco Latin Jazz. She is the ex-singer of the Catalan band Ojos de Brujo for over a decade. In 2016, Marinah & Chicuelo launched the album “Sintonias” where, with his flamenco guitar, they infused sounds of rumba, flamenco, Afro-Cuban and Caribbean music. More here.

…And now for The New Cuba Travel package to attend festivities.

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Our weeks program will be held from March 21-26, with 3 of those days attending the Festival (22,23,24). The trip includes 5 nights & 6 days of sight-seeing, music, art, culture, and the best food spots in town. The advantage of our package is that we will schedule you to be at the right place at the right time every day this week.

Price: $2,200 per person. Payment must be complete 3 weeks prior to trip.

Price Includes:
_5 Nights stay in a Casa Particular
_VIP Access to Music Festival & After parties
_Full Time Guide/Concierge, English Speaking
_Curated activities for the week (please reach me for specific itinerary)
_Welcome Package
_Private Transfer to and from Havana International Airport with Guide
_Private Transportation for all activities of the week
_Pre-Trip Concierge (Additional pre-trip planning such as flight purchase assistance and pre-departure information)

Price does not include:
_Airfare & Visa  (we can assist/advise this process)
_Tips for Vendors – Driver, Waiters, Housekeeping, Guides, etc
_Rooming Incidentals – Minibar, etc.
_Meals/Drinks – Note: From past experience with seasoned travelers, I’ve noticed that NOT including dinner fees is a better offering for the traveler. It means the guests can avoid “cookie-cutter” price fixes, and order more luxuriously to their liking. We reserve you at the best restaurants, and you order as much or as little as you’d like.

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Special Deal:
For the first 8 people to confirm, I will offer a 15% discount, and personally guide the crew myself all week.

To assure proper attention for all visitors, anyone beyond the first 8 reservations will still be guided by an expert and cool local from our crew of “new Cuba” tour leaders. Groups are capped at 10 people to insure best attention. Keep in mind, all groups will be celebrating together anyways for opening cocktail event, as well as all Festival events & after parties.

Legalities:
Our itinerary and program is compliant with US Treasury Department regulations. This trip is permitted through the “people-to-people” general license category authorized by the Department of the Treasury’s Office of Foreign Assets Control. Our program of activities offers meaningful interactions with the Cuban people under an authorized tour leader according to US regulations. For more details, visit US Treasury Gov.

Questions:
For any further questions, I’d be happy to get on the phone and discuss deeper. Please email jauretsi@gmail.com to open dialogue.

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(Eme Alfonso. Photo: May Reguera for Garbos Magazine)

“That’s it” in the words of Eme, “Music is the excuse. We are going to meet and we will have a great time.” About the musician herself, having been raised in a legendary family of recording artists, and part of the successful band Sintesis for two decades, Eme is formally breaking out on her own this month with a fresh solo album. To read about Eme’s vision and voice for music, download the latest issue of Garbos Magazine.

We look forward to celebrating the best of this new Cuba together.

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(Un Traductor. Foto: Gabriel Guerra Bianchini)

It’s that time of the year again, where we shout out Cuban filmmakers being featured at the Sundance Film Festival. Given the fact that there is really not much of an independent film scene in Cuba (more on that later), I find it miraculous when I discover a new name risen from obscurity, defeating all odds, slaying dragons, and making it to the top of that film mountain…. Park City, that is. Bravo to these mavericks.

In 2018, the Cuban stories screening seem less about the changing country today, and more about backstories drawn from their childhood. Specifically, both these tales were inspired by their father (this is an unrelated coincidence, and just an observation).

Last year, 2017 Sundance saw many more stories about Cuba TODAY, from short docs at the Wifi Park, to the new home-buyers market, to a well-attended English language school awaiting “la Yuma”. Let’s not forget Give Me Future, about the Havana concert performance by Major Lazer. The 2017 Cuban slate were all about the future.

This year, however, Sundance selections force us to view Cuban narratives from the inside, that is, personal stories. Here’s two to keep an eye on.

Un Traductor (A Translator)

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(Un Traductor)

In Competition for International Features is Un Traductor. Director Sebastian Barriuso tells the brave (and soul-crushing) tale of his father in Cuba during 1989, “a professor of Russian literature who was ordered out of the classroom and into the hospital”, to serve as a translator between dying children, their parents, & medical staff after the Chernobyl explosion. Rodrigo Santoro (of Westworld) plays the lead. In those years, Cuba developed a program for hospitalizing and treating the children from this international tragedy. If you don’t know about the real life incident, read about the Chernobyl Disaster, which is a cautionary tale on Nuclear accidents. Un Traductor is the story of a family man pulled into the center of this trauma. “Whether Malin’s life was enriched or destroyed by his assignment was never part of the greater equation” reads The Hollywood Reporter (read the full review here). The film was a Canadian-Cuban production, produced by Creative Artisans Media.

Screening Times at Sundance:
Fri. 1/19, 2:30 p.m., Prospector, PC
Sat. 1/20, 1:00 p.m., Redstone 2, PC
Sat. 1/20, 11:59 p.m., Tower, SLC
Mon. 1/22, 6:00 p.m., Sundance Resort, Provo
Thu. 1/25, 6:00 p.m., PC Library, PC
Fri. 1/26, 10:00 a.m., Holiday 4, PC
For more info on cast & crew, visit Sundance listing.

El Pescador (The Fisherman)

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(El Pescador)

El Pescador is a short film about a fathers love and sacrifice to put his daughter before himself. Of all the information I’ve sought on this film, the most striking overview was an article and Q&A by Remezcla. “Well, my dad is a fisherman. This is a story that’s very much about us.” says the Director. “So this was a way to give my father a kind of gift because he sacrificed so much for us. In fact, he’s an economist but in the 90’s things were so difficult here in Cuba that professionals everywhere had to find other sources of income.” And so this short story begins…

Fri. 1/19, 9:00 p.m., Temple, PC
Sat. 1/20, noon, Broadway 6, SLC
Sat. 1/20, 9:30 p.m., Redstone 1, PC
Fri. 1/26, 1:00 p.m., Holiday 4, PC
Will play with a few other shorts, details here.

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(El Pescador)

Manuel Betancout interviews director Ana A. Alpizar about the deeper context of indie filmmaking in Cuba. “Well, the short was financed by money coming from foreign — actually European — embassies. That’s what is mostly financing independent cinema in Cuba right now.” says the aspiring female Cuban director. “The Netherlands embassy gave us some money. A contest called GO CUBA!, it’s a very famous contest. Then, there’s a fund set up at the Norway embassy which also gave us some financing. And there was also some money from a fund for young Cuban filmmakers. The thing is, as an independent producer, you don’t really exist at the legal level. You’re not accredited that way.”. To read more details on this conversation, visit Remezcla’s Q&A.

So just like that, in an effort to dive inward into people’s backstories, we find ourselves once again faced with Cuba TODAY. In order to understand how each filmmaker actually made their film, you have to understand the legal barriers they face today.

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(El Pescador)

For example, by todays law, a non-Cuban and a Cuban are not allowed on a boat vessel together in Cuba (this obviously posed a conundrum for Ana’s shoot schedule, thereby disallowing her sound guy to jump on board). Also, in order for both these films to have been made, Cuban filmmakers had to seek financial support from outside. Independent Cinema is not quite recognized according to Cuban Institutions, yet it is this exact indie scene on the island that is bubbling with creativity. “But what is happening still is that the Cuban government still won’t recognize them; they won’t play their movies. They have no legal standing. You, as an independent producer, don’t exist. You can’t apply to any kind of grants or funds [in Cuba]”, she tells the writer.

So how easy is it to just apply for outside grants? “These Dutch funds — you actually have to apply to them as an individual, not as a film producer. You can’t apply to these bigger funds unless you partner up with a foreign producer or set up a production company outside of Cuba” says the diligent filmmaker who finally formed a film collective outside of Cuba called Fila20. She loves her homeland and stresses that she’d like to tell more stories from inside the island. There is supposed to be an official body called “Ley de Cine” (Law of Cinema) to oversee all filmmakers but she mentioned that the government doesn’t really adhere to those standards. “And in that sense, Cuban independent cinema is wholly excluded, which is very sad. Because what happens is that a lot of talented people just end up leaving”.

The other director Barriuso moved to Toronto Ontario while his brother Rodrigo still spends lots of time in Cuba. So after wrapping my head around both these films, I actually walked away with a deeper understanding of their struggles. Not only the yesteryear struggles, but todays struggles.

Welcome to Sundance, aseres. To infinity and beyond.

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I’ve always been struck by the barren offerings in neighborhoods where Cubans shop. The products, surreal. Brooklyn based photographer (Germany born) Alexa Hoyer walked the boulevards, spending 2 years capturing images recently published in Vice.

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The photo essay is moody, poetic, and a humble documentation of all the products that Cubans DO NOT have. The shops seem almost the ghost of what originally was a serious global shopping destination before the Revolution, riddled with consumerism and opulent displays of Luxury.

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As evident in the images, today, there are not nearly enough products to fill the enormous displays. Window dressers are now employed by the Government through the State Ad Bureau, but you can see the care and considered strategy, arranging minimal items in geometric or colorful narratives. To view more images, visit Alexa Hoyer.

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If you’re a fan of Major Lazer, here’s a doc you’ll appreciate. If you have no idea who Major Lazer is, yet have a deep curiosity for Cuban youth culture, then this doc will equally intrigue you. In full disclosure, I worked on this film as one of the Producers, with the excellent team of Matador films (shout-out to Director Austin Peters), who visited Cuba to document this band on their most epic journey.

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Let me say that working on this project, as a Cuban-American, has been the most therapeutic process in facing my proverbial brothers (and sisters) on the other side of the pond. For me, it has been a long soul journey returning to the motherland, with an insatiable appetite to better understand the future of this country through the eyes of its youth. What we discovered was an island nation in transformation, full of curiosity and creativity, with an equal appetite to absorb American culture as well. For one shining day, ideologies didn’t matter, and instead, music was the glue.

As Major Lazer entered Cuba, our whole team expected maybe 20,000 to 50,000 fans to attend. As you will discover from watching the film, approximately half a million cool young folks showed up on on the streets that day, eager and excited to enjoy the show.

Here’s 3 reasons you should watch the doc:

(1) Meet Young Cubans

Artists like Iliam Suarez are bold, eloquent, and have something to say. Give Me Future enters their home and minds… a portal into youth culture that is generally overlooked.

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(2) People Power in Action

The big question we always get is, “How did Cubans know about Major Lazer?” and “How did you promote the show?”. Enter the Paquete. If you understand the birth of Paquete, you can better understand the ingenuity, resilience, and innovation created by the younger generation. By the middle of the documentary, we arrive to the actual day of the show. We see the crowds beginning to collect on the streets in droves. Slowly but surely, it was evident this was going to a BIG show. Finally, while gazing at the crowd of 450,000 fans, the bands manager, Andrew McInnes, says, “Well, the Paquete worked!”.

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(3) Real US/CUBA Cultural Exchanges

During Major Lazer’s quick sojourn into the country, the director of Musicabana, Fabien Pisani, brought the band to the Ludwig Foundation to introduce Cuban DJ’s and Producers to the trio of DJ’s for a discussion on software, production resources, and give an overall general pep talk. It was a lovefest exchange between Cuban and US artists. The wholesome interaction acted as a bit of healing balm between two nations previously estranged for half a century. The concert and DJ panel occurred during Obama’s reconciliation days (March 2016), however now that Mr. Trump has iced our relations yet again, it is important to continue these healthy artistic exchanges more than ever.

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The Synopsis of the film is as follows:

In March 2016, following the restoration of diplomatic relations between Cuba and the United States, electronic dance music trio Major Lazer made history, becoming one of the first major American acts to play in the communist state. Unsure how their descent on Havana would be received and hoping to reach a few tens of thousands, the epic concert unexpectedly drew in close to half a million fans. Much more than a garden variety music film, “Give Me Future” begins as a behind-the-scenes look at the historic concert and evolves into a masterful exploration of Cuba’s inspirational youth movement and its ingenious DIY information culture. Capturing exhilarating performance footage and authentic stories highlighting the country’s cultural growth and desire for inclusion in the global community, director Austin Peters conjures a transcendent, rhythm-laced depiction of the powerful catalysts driving a country on the brink of change.

To watch the whole film, download here: APPLE MUSIC.

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In 2016, World tour surfer Courtney Conlogue visited Havana to meet surf chicks on the island to understand surfing’s place in Cuban culture and the discovery of empowered young women trying to find their voice. Billabong came along for the ride and make a little short film about it.

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(American surfer Courtney Conlogue in Cuba)

What Courtney discovered was “a culture of pioneering surfers patching together boards from refrigerator insulation and boat resin, determined to pursue their sport despite their limitations” reads the short film synopsis. “Like their musical counterparts, female surfers are empowering themselves through their creative outlets, finding their voices on the stage, the studio and the waves.”

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(Cuban Surfer, Lorena)

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(Cuban Surfer, Yaya)

The New Cuba consulted on the music for this journey and introduced Cuban rapper, La Real, to the project. Her musical strength fit perfectly into this odyssey because Courtney was also searching for women’s movements. The hip hop female community is another tough sector that exists as a microcosm within a microcosm. Feminism within a machismo society. Girls kicking ass in a boys club.

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(La Real, Cuban Rapper)

In partnership with the World Surf League, Billabong joined forces to bring donations and equipment to local surf clubs while filming. The belief is that surfing will have a lasting and positive impact on its communities. Big thanks to Elley Norman who Creatively Directed a beautiful experience.

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The New Cuba strives to work on more bridge-building projects, shortening the gap between US and Cuban artists across many fields, from arts to culture to sports. Please reach out to us for a creative chat to bring more cultural ambassadors to Cuba. The time for peace-making is now.

To watch the full short, see below:

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As I sit here contemplating what the hell to write about D17 this year, my screen is just blank, without words. How is it that 2 years of progress and healing has just hit a wall? For those that don’t know exactly what D17 is, in short, it stands for December 17, 2014, the day Raul Castro and Obama both personally announced to their nations (and international media) that the time for reconciliation is now, thereby creating the official thawing of this particular cold-war relation. This 3rd birthday, under President Trump, is bringing us back to icier times, however I am remaining optimistic because US travel to Cuba is STILL legal, thereby creating more space for better understanding on a people-to-people level.

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December 17th is also the day of St Lazarus, a Saint called upon for healing and miracles. If watching a US President extend an olive branch to a Castro isn’t a miracle, I don’t know what is. Read The Big Day to understand the nuances, symbolism, and significance of this epic date for all Cubans. The first and second birthday of D17 saw real changes — more business trade talks and increased tourism. Collaborations also included environmental & medical advances, and a mutual effort to fight drug and terrorism together in our hemisphere.

This December 17, 2017, Trump was expected to offer words on this symbolic date, and here’s what he had to say: “Hopefully everything will normalize with Cuba, but right now, they are not doing the right thing. And when they don’t do the right thing, we’re not going to do the right thing.” I have so many thoughts about this deficient diplomacy effort, but for now, I’ll just keep it simple, and print the words that CDA recently published.

D17 and “The Right Thing”

December 17, 2014. Three years ago this week, Presidents Obama and Castro gave simultaneous addresses signaling to the world a historic shift in relations between the two countries. The announcement represented a move away from a policy that had failed for decades, yet oftentimes appeared interminable, and a step toward common-sense cooperation between two neighbors. It felt, as we wrote at the time, like “a day of miracles.”

Three years later, the euphoria has subsided. Though bilateral cooperation continues, recent U.S. policy changes and harsh rhetoric have cast a shadow over hopes of a swift end to this dangling Cold War remnant.

Speaking to reporters at the White House Sunday, President Trump acknowledged the anniversary. He said, “Hopefully everything will normalize with Cuba, but right now, they are not doing the right thing. And when they don’t do the right thing, we’re not going to do the right thing. That’s all there is to it.”

The President’s words amount to an admission of guilt – he acknowledges that his revamped U.S. policy toward Cuba isn’t “the right thing.” He also continues, as we wrote two weeks ago, to recycle words from his predecessor. Three years ago, in his speech announcing the U.S. would pursue normalized relations with Cuba, President Obama said, “We are making these changes because it is the right thing to do. Today, America chooses to cut loose the shackles of the past so as to reach for a better future – for the Cuban people, for the American people, for our entire hemisphere, and for the world.”

In any context, “the right thing” can be a subject of debate and contention. We won’t argue that here. What’s more concerning is that in recent months, U.S. policy has done a number of the wrong things, including curbing the rights of Americans to travel freely, imposing restrictions that will hurt U.S. and Cuban businesses, and separating families by slashing consular services.

President Trump went on to say, “We have to be strong with Cuba. The Cuban people are incredible people. They support me very strongly. But we’ll get Cuba straightened out.” Of course, Cuba has yet to hold a straw poll on the Trump presidency. But we do know that engagement is overwhelmingly popular on the island – in a 2015 Washington Post/Univision poll, 97 percent of Cubans said that normalization is “good for Cuba,” and 96 percent of Cubans said the U.S. embargo on Cuba should be eliminated.

Attempts to dictate what the Cuban people may or may not support should not come from Washington or South Florida. Instead, we believe that by lifting its onerous restrictions, the U.S. can allow Cubans to be the determinants of their own future. This sentiment is reflected in the words of Julia de la Rosa, Niuris Higueras, Marla Recio, and Yamina Vicente, four female Cuban entrepreneurs who took to the Miami Herald last week to stress the negative impact of the President’s Cuba policy. They wrote, “Rhetoric, finger pointing, and restrictions are not the type of ‘support’ the Cuban people want and need. What we want are fully functioning embassies and the freedom of travel for Americans and Cubans alike. We can take care of the rest.”

The President’s words this week mirrored a common refrain of detractors of normalization: that the U.S. should wait for Cuba’s government to make reforms before engaging. But as Martin Luther King, Jr. once said, “The time is always right to do what is right.”

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To support the CDA (Center for Democracy for America) on their mission to help end the embargo, visit their website.

Read the official statement from Cuba, through the words of Josefina Vidal, a refreshing voice that is balanced and working towards a pragmatic solution. “In this complex situation, the Cuban government has reiterated several times its willingness to continue the respectful dialogue and cooperation on issues of mutual interest, as well as the negotiation of pending bilateral issues with the US Government, without impositions or conditions”, writes Josefina. “As far as we are concerned, we will continue to work with all people of good will in the United States, aware that there is a general consensus in Cuban and American societies favoring better relations between our two countries and peoples.”

Best wishes on a productive path for both nations in 2018 and beyond.

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